Lamb of God – Sacrament

Over the years my tastes in music have changed, something that I think happens to most, if not all, people. In some cases, I can pin moments of that changing musical tastes to specific albums. Sacrament is one such album.

I first stumbled across an instrumental version of Sacrament, which was probably good. At the time, I was (for better or worse) a much more tender flower, who would have rejected the album outright due to the aggressive nature of the lyrics. However, time (and years spent as a surgeon – trust me, we can curse with the best of them) desensitized me to the point I not only didn’t reject the lyrics, I found solace in them.

Immediately, Sacrament grabs you with the groove of “Walk With Me in Hell”, a driving, pummeling track. It can be off putting. It can seem dark, negative, hateful. And yet, as with so much in music, there is much more to that. Instead, it actually is an invitation that builds to an anthemic crescendo, inviting us all to walk through Hell together, to lean on each other to get through the bullshit that life throws at us.

I find that incredibly inspiring.

Not all tracks have that same type of inspiration. “More Time to Kill” spews vitriol like few other songs. Take the opening lines, for example:

I just got the news today you were dying

Hot damn, we’re already partying

But please, before you have to leave

Let me tell you a few last things

But you know what? Talk about catharsis. Get done with that and you just feel better. It purges something out of you. Hell, you can’t look me in the eye and tell me we haven’t all felt that way about someone in our lives. Because we totally have, and we’ve wished we could say that. And so, Randy Blythe spews it out with gravel to boot.

Sacrament doesn’t ever really let up. Songs have massive, mosh-worthy, breakdowns. The vocals are relatively one note, harsh growls, but there is variability here and there, more than on previous albums. But you didn’t come to a Lamb of God album for sweet crooning. If you did, you done messed up, bro. One thing that Randy has always excelled in is the clarity of his delivery. It is too easy for harsh vocals to become unintelligible. That is avoided here, the lyrics are almost shockingly understandable. And that works in the music’s favor. Lamb of God works best for me as a vehicle for rage, frustration, and the need to process. Understanding the biting lyrics makes that so much more effective.

This certainly isn’t my favorite Lamb of God album (that would be Ashes of the Wake). But it was the first LoG album I listened to, start to finish. And it was a powerful introduction to a band I was aware of, but hadn’t really listened to up to that point. Live, this band is phenomenal (see the above banner picture), and they do an excellent job of translating their live energy to the record. Lamb of God is one of those bands that are just incredibly reliable. There isn’t ever any wondering what you are going to get. You know: aggressive, groove heavy music that will get you going, help purge some of the ugly out of you, and leave you feeling just a little bit better, no matter how bad the day was.

“Smells Like Teen Spirit” by Malia J

New music Monday is upon us. I had been wondering what I wanted to write about for the past few days. Simply because, well, I haven’t found much music in the last week or two that really interested me.

That was, until Friday night.

Went to Black Widow with some friends and family. I thought it was a great movie that really should have been filmed and released a few years earlier (curse you Ike Perlmutter!). It is also dark, especially for a Marvel movie. There are some really sinister undertones throughout the movie, and these are set up from the very beginning, particularly with the opening credits.

We see scenes of young girls being taken and forced into the Widow program by the main antagonist of the film. And if that wasn’t heavy enough, all this is happening to the song “Smells Like Teen Spirit” as performed by Malia J. I had not idea who she was, and still know far less than I would like. It is enough to say that this rendition of this classic song (yes, it is a classic that is around 30 years old now, and I’ll fight anyone who disagrees) is truly haunting.

Minimal in many ways, with some breathy vocals, it still crescendos to some really powerful levels. The song just screams loss to me, and it so fittingly matches what we were seeing on the screen.

I hunted it down on Apple Music and was delighted to find some other covers Malia J has done. All have the same sort of formula, minimalist intro that builds to a powerful crescendo and then fades out with a soft denouement. And all are just fantastic. But “Smells Like Teen Spirit” is the best of the bunch. This song is so entrenched in my youth, I can literally see, hear, and feel where I was the first time I heard it. And hearing like this makes it a completely new song. Check this track out, it is just fantastic.

Malia J- Smells Like Teen Spirit (Black Widow Opening Credits)